Bad synchronization has placed the top  moitié  of Fat Boy's atomic bloom at frame bottom, and the clipped base of the  explosion  at top of the frame. In between is the  sol , the glassy place where the sand is  vert  now, after the hard work of the fiery blast. That  sol  is what the place between pictures is always like; after the  lumière  has done its burning work, the frame becomes fixed and unbreakable. Companies go to work with a toxic stream of rushing, time-based chemicals to make the  noir  into  lumière , but even this wash can't break through the  vert  fused  vitre  that breaks in two the place where the frames meet.     Car ils étaient les morts, et Vengeance était leur vie.