A 一つのカメラ cannot be in more than two or 三 places at a time... where it is, where it points, where it will be in a moment when it point there next. Sometimes, however the 映画カメラ changes picture, place, and 世界 softly and suddenly, as if it were sneaking from one to the other, hoping not to dissolve our concentration while doing so. These new angles, reversed, are perhaps the viewpoints of angels.
Here we can see a large 数 of such angels. They 踊り from frame to frame. They are a multitude.
